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The Griggs Connection - 430 Laurel Avenue
By John Ratto.
There was a popular stage play and then 1993 film named "Six
Degrees of Separation". The premise ofthis work is that throughjust six
intermediaries, you could be linked to every other human being on the
planet This is a curious phenomenon that through seemingly chance
meetings and coincidences we are alllinked. Using this principle I will
attemptto connect myselfto my house at 430 Laurel and in the process
reveal its early history.
This storybegins morethan 170 years ago on April 28, 1831 in
Monroeton, Pennsylvania when Elijah Griggs was born. He grew to become
a man of strong physique and commanding appearance. We know that he
came from a very religious family and at age eighteen was baptized into the
Methodist Church which he served faithfully for the rest of his life. He was a
journeyman carpenter and contractor in the Monroeton area for many years.
In 1852 he married Emma Wilson. In 1856 he moved from Pennsylvania to
Illinois where he became the foreman of construction on the Central Illinois
Railroad. Then, after 25 years ofmarriage, on April 26, 1877 Emma Wilson
Griggs died leaving behind six children. Sometime during the next few years
Eli met and fell inlove with Esther S. Myer. On February 10, 1880 they
were married and shortly thereafter had a baby girl, Lulu. Upon his
retirement in 1894, at the age of 63, Eli Griggs moved to Pacific Grove. The
fact that he was a devout Methodist and the fact that Pacific Grove had its
beginnings has a Methodist retreat, must have seemed like a perfect fit to
him. He immediately entrenched himself in the workings ofthe influential
Methodist Church in the town. Over the next 20 years, he served as
superintendent of Sunday school, choir leader and trustee for the church. In
the summer of 1895 he began construction ofhis house at 430 Laurel
Avenue.
This original American Gothic Revival Victorian house was completed
in early 1896. In the United States the small Gothic coltage best
characterized Gothic Revival residences. Ironically, it was A J. Davis,
architect of the New York castle Lyndhurst, who supplied the designs for
many ofthese little Gothic homes. Andrew Jackson Downing, in his
inexpensive and vastly influential books illustrated with Davis's designs for
both Gothic and
Italianate cottages, effectively promoted not just a mode of building but the
physical and moral benefits ofa simple rural life as well. It is unknown
whether or not Eli Griggs was influenced by these designs. He was,
however, in his prime as a carpenter and contractor during the time when
Davis' books were being published. It is hard to imagine that he was not in
some way influenced. He certainly built a classic Gothic cottage.
The so-called Downingesque cottage, in which such a life was meant
to be lived, was marked by a steeply pitched, cross gabled roof with a center
front gable, ornamental wooden bargeboards with dropped tracery in Gothic
motifs, double hung windows, an asymmetrical but balanced elevation, and,
inevitably, the pointed arch that became the common denominator ofthe
style. In the Griggs house the pointed arch is subtly displayed in the
bargeboard design at the apex of the front and rear gables. It is interesting to
note that the famous American painter, Grant Wood, in his most noted work
"American Gothic" depicted a house that bares a striking resemblance to Eli
Griggs' house.
Along with Eli Griggs, living in Pacific Grove at the time, were three
out of his four daughters from his first wife Emma. Their names were Kate,
Florence and Mary. Kate was married to S.V. Druck a building contractor
that developed the area for many years. He built and lived in the house at
422 Pine until he moved to San Jose in 1907. Florence was married to
Samuel Lewis Fritz, the founder of Pacific Grove Really and had his house
, OCR Text: ek
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The Griggs Connection - 430 Laurel Avenue
By John Ratto.
There was a popular stage play and then 1993 film named "Six
Degrees of Separation". The premise ofthis work is that throughjust six
intermediaries, you could be linked to every other human being on the
planet This is a curious phenomenon that through seemingly chance
meetings and coincidences we are alllinked. Using this principle I will
attemptto connect myselfto my house at 430 Laurel and in the process
reveal its early history.
This storybegins morethan 170 years ago on April 28, 1831 in
Monroeton, Pennsylvania when Elijah Griggs was born. He grew to become
a man of strong physique and commanding appearance. We know that he
came from a very religious family and at age eighteen was baptized into the
Methodist Church which he served faithfully for the rest of his life. He was a
journeyman carpenter and contractor in the Monroeton area for many years.
In 1852 he married Emma Wilson. In 1856 he moved from Pennsylvania to
Illinois where he became the foreman of construction on the Central Illinois
Railroad. Then, after 25 years ofmarriage, on April 26, 1877 Emma Wilson
Griggs died leaving behind six children. Sometime during the next few years
Eli met and fell inlove with Esther S. Myer. On February 10, 1880 they
were married and shortly thereafter had a baby girl, Lulu. Upon his
retirement in 1894, at the age of 63, Eli Griggs moved to Pacific Grove. The
fact that he was a devout Methodist and the fact that Pacific Grove had its
beginnings has a Methodist retreat, must have seemed like a perfect fit to
him. He immediately entrenched himself in the workings ofthe influential
Methodist Church in the town. Over the next 20 years, he served as
superintendent of Sunday school, choir leader and trustee for the church. In
the summer of 1895 he began construction ofhis house at 430 Laurel
Avenue.
This original American Gothic Revival Victorian house was completed
in early 1896. In the United States the small Gothic coltage best
characterized Gothic Revival residences. Ironically, it was A J. Davis,
architect of the New York castle Lyndhurst, who supplied the designs for
many ofthese little Gothic homes. Andrew Jackson Downing, in his
inexpensive and vastly influential books illustrated with Davis's designs for
both Gothic and
Italianate cottages, effectively promoted not just a mode of building but the
physical and moral benefits ofa simple rural life as well. It is unknown
whether or not Eli Griggs was influenced by these designs. He was,
however, in his prime as a carpenter and contractor during the time when
Davis' books were being published. It is hard to imagine that he was not in
some way influenced. He certainly built a classic Gothic cottage.
The so-called Downingesque cottage, in which such a life was meant
to be lived, was marked by a steeply pitched, cross gabled roof with a center
front gable, ornamental wooden bargeboards with dropped tracery in Gothic
motifs, double hung windows, an asymmetrical but balanced elevation, and,
inevitably, the pointed arch that became the common denominator ofthe
style. In the Griggs house the pointed arch is subtly displayed in the
bargeboard design at the apex of the front and rear gables. It is interesting to
note that the famous American painter, Grant Wood, in his most noted work
"American Gothic" depicted a house that bares a striking resemblance to Eli
Griggs' house.
Along with Eli Griggs, living in Pacific Grove at the time, were three
out of his four daughters from his first wife Emma. Their names were Kate,
Florence and Mary. Kate was married to S.V. Druck a building contractor
that developed the area for many years. He built and lived in the house at
422 Pine until he moved to San Jose in 1907. Florence was married to
Samuel Lewis Fritz, the founder of Pacific Grove Really and had his house
, Heritage Society of Pacific Grove,Historical Collections,Names of People about town,G through H File names,Griggs,GRIGGS_001.pdf,GRIGGS_001.pdf 1 Page 1, Tags: GRIGGS_001.PDF, GRIGGS_001.pdf 1 Page 1